So, I’m officially living in Bristol now. Yesterday, i managed to secure myself a new studio space at Freestone Studios which has a spacious, industrial feel to it. I can’t wait to get painting again as i am missing it terribly. Freestone Studio has a lot more space than my previous studio, so I’m looking forward to working on some bigger canvases this year.
I have been working on more embroidery while i have been studio hunting.
This is an extension of my original ‘Roses are Dead’ idea. It started out as a line drawing which i transferred onto my material. This piece will eventually end up on another customized jacket. I’m sourcing vintage and secondhand items to customize for these embroidered pieces…
Before moving to Bristol, it felt like being in limbo, mainly due to my personal circumstances, moving house and feeling tired mentally and physically all the time. While that all sounds very negative and moany, it has diverted my attention to other things. It’s made me think about art again… I mean really think about art. And not to just think about art, but to also think about what it means to me.
I guess the word ‘art’ means different things to different people. For me, and the medium of painting especially, has a sacred place in my heart. Painting from an introspective perspective. A place of truth and honestly. It’s sacred to me because at various points, i honestly feel it’s saved my life. One day, i’ll write a blog about that.
Here and now though, certain feelings come full circle and whatever happens to me, it’s impossible to shake the feeling. This is what i was meant to do.
My name is Ria and I’m an artist.
So, last month was very interesting. I completed a painting everyday for 28 days, without any real idea what i was going to do at the start of each painting. I set the challenge for a few reasons. For one, i wanted to do something different to my usual art practice which can be a long process of planning, thinking, more planning and more distraction…ur, I mean thinking. Secondly, i wanted to do something that would help form the habit of a consistent, daily art practice. So, to challenge myself to complete one painting everyday for one month seemed like a good start. Posting the work on Facebook was very helpful due to people getting involved with discussing the work. This was a lovely surprise actually and quite a few people remarked on how they looked forward to seeing what i would come up with each day.
I think the biggest thing i have learned is that i have been harboring a lack of self confidence in my own abilities. There has been a big need for control in my work and i feel slightly daft for not recognizing it before. This need for control and the lack of confidence is actually something i can trace back to childhood. It was born out of trauma and it creeps in through the cracks and glides past, in plane sight because it probably knows I’m not paying it a blind bit of attention . It was right.
Completing this work in a short space of time was sometimes frustrating but it was mostly very enjoyable. There was a sense of freedom and a very different energy about the work, which must have come from being in the moment with the paint and my thoughts. I was very aware of time during this challenge and I had to stop myself from being too fussy and hesitant. There were times when i completed a painting so quickly that i was very surprised with myself. Other times, i had to reassess what i was doing and change things to make them sit better on the canvas.
I very much enjoyed painting straight onto a blank canvas without any prep work. I think this was the thing that surprised me the most. In my usual art practice, i meticulously plan a full size drawing of whatever I’m doing. I plan it all out so i don’t have to worry about mistakes when it comes to transferring it into paint. There are positives and negatives to this of course. It does create a beautifully detailed and refined piece of work. What it doesn’t do is allow room for happy accidents and things that might surprise me. On the other hand, i could say that i go through that process in my planning stage but there is a very different energy between the meticulously planned and the unplanned.
I loved every minute of this challenge and i think it shows in the work. I also loved interacting with people about the work. It was very interesting to hear how other people interpret some of the ideas and eight of the paintings have already been sold. Wonderful!
‘February’ – 28 paintings in 28 days, will be on display at DKP Gallery, Hereford, from Friday the 10th March till Friday the 17th March.